But I must have played this part about 100 times, and no-one was taking any notice. Now, usually with us when somebody comes up with a good musical idea and begins playing it, everyone else joins in and we take it from there. ![]() Studios, where we were rehearsing, sat down at piano and started to play these chords. The next thing we knew, it was a number one record and everyone was calling it a power ballad and acted like we had this strategy for success that made this song happen when really it was just an accident. ![]() Everyone kind of got it and sure enough, Gary went over, plugged in his guitar and started playing power chords to this little love song I wrote. It’s the band's job to turn it into an REO Speedwagon song." I was so passionate about this song. And I’m like, "Dude, this song really means a lot to me." "So, dude, that’s not an REO Speedwagon song." And I kind of was like, "You know what? I’m the main songwriter for REO Speedwagon, so if I write a song, it’s an REO Speedwagon song. They were like, "What are you.?" because we were all bringing in songs for this record we were going to make and they looked at me like I was crazy. And the guys in the band looked at me like I was from another planet. I walked into rehearsal and sat down at the piano, which I rarely do because I’m a guitar player, and started playing "Keep on Loving You.". Kevin Cronin stated that he wrote "Keep On Loving You" as a more traditional love ballad, and the band as a whole developed it into its final arrangement as a power ballad. ![]() Consider transferring direct quotations to Wikiquote or, for entire works, to Wikisource. Please help improve the article by presenting facts as a neutrally worded summary with appropriate citations. This section contains too many or overly lengthy quotations for an encyclopedic entry.
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